Endtime Fantasies (2024)

Endtime Fantasies, explored the artistic expression of the apocalypse and its role in reflecting humanity's fantasies, fears, and traumas.

The theme has served as a tool for artists to reflect on contemporary societal issues and initiate a dialogue on existential and ethical questions through art history. And like these artist did once before the metaphor of the apocalypse is used to reflect on my own fears and hopes during these tumultuous times. 

Post Phantasia 

If Endtime Fantasies examined our obsession with the end,

this work considers what lingers after that obsession has faded.

It is not a story about destruction,

but about residue.

A world that has survived both catastrophe

and the fantasies that once surrounded it.

Garden of Lilith

She was never meant to stay.

Born from darkness - stepping into light

and into a garden grown from shadow

Not exile, but sanctuary

Garden of Lilith emerged out of a melody, a song I wrote some years ago. It's about shaping Lilith and her garden with everything that inherit it: Flora and fauna and some mythological creatures that followed Lilith into her sanctuary - all forever connected by traces of gold.